Christian Hincapié: Decisions at a Desk
9/25/25 - 12/19/25
Mishkin Gallery, Baruch College
Curator
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New York Review of Architecture
9/25/25 - 12/19/25
Mishkin Gallery, Baruch College
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New York Review of Architecture
Christian Hincapié, Mosaic with Park-goers at the Entrance to Flushing Meadows Corona Park in Queens, NY, 2019. Diazotype, diptych, 24 x 36 inches (each). Courtesy the artist.
I started this channel without really having any idea of what to do with my thoughts about palms. It stemmed from a memory, and my particular affinity for this species of trees. I smile whenever I see them. I guess I was trying to build a narrative around these trees, trying to put language onto the plants.Visible Communication
3/28/25 - 6/6/25
Mishkin Gallery, Baruch College
Co-curator
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3/28/25 - 6/6/25
Mishkin Gallery, Baruch College
Co-curator
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Drawn almost entirely from the Baruch College Art Collection, Visible Communication explores our relationship to communication technologies as tools for worldmaking, socially, culturally, and politically. The works on display are all concerned with some form of media and its mis/use, from traditional mass media (books, newspapers, TV) to experimental sound machines and instant cameras. The artists engage with these media technologies as subject matter, raw material, and apparatuses for image-making. Inspired by the title of Juan Downey’s work Do It Yourself: Invisible Communication, this exhibition asks us to look at the structures of communication around us, whether it’s complex networks of production and distribution too vast to behold, or everyday objects so common that we don’t stop to notice them.
Featuring work by Mary Ascher, Sarah Charlesworth, Juan Downey, Jannis Kounellis, Martha Rosler, and Andy Warhol.
Image: Sarah Charlesworth, Pleasure of the Text, 1992–1993, Cibachrome with lacquered wood frame, 33 1/2 x 41 1/2 in. Baruch College Art Collection, © The Estate of Sarah Charlesworth, Courtesy Paula Cooper Gallery, New York.
The Right to the City: Public Space on Film
1/29/24 - 3/1/24
Mishkin Gallery, Baruch College
Curator
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New York Review of Architecture
1/29/24 - 3/1/24
Mishkin Gallery, Baruch College
Curator
Series Booklet
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Press
New York Review of Architecture
The Right to the City: Public Space on Film presents a series of cinematic works that both take place in, and take as a subject, the public sphere. The spaces in these films act as sites of leisure, labor, protest, surveillance—topographies of everyday life. We see how architecture, real estate, and public policy can determine the structure of the built and natural environments—but just as often, how people can improvise and deviate, and creatively misuse these shared spaces. Staged at the Mishkin Gallery, Baruch College, CUNY—a public university—this program will pose the question: what does it mean to truly be public?
Featuring work by Charlie Ahearn, Ayo Akingbade, Danielle Arbid, Dora Budor & Noah Barker, Tony Cokes, Colectivo Los Ingrávidos, Onyeka Igwe, Charles Lane, Morgan Quaintance, Claire Read & Nora DeLigter, Józef Robakowski, Margaret Rorison, WangShui, and John Wilson.
Image: Charles Lane, Sidewalk Stories (film still), 1989. Courtesy Kino Lorber.
A Summer’s Tale (1996)
Four Adventures of Reinette and Mirabelle (1987)
Boyfriends and Girlfriends (1987)
Claire’s Knee (1970)